Lyrical Lovely Renee La Tulippe

2. Read, write, and listen to poetry, remembering that poetry and rhyming picture books are two different things. There are hundreds of amazing poets for young people out there, and adding a healthy dose of good poetry to your reading diet will do wonders for your imagination and your craft. I have an entire blog and video library dedicated to children’s poets at NoWaterRiver.com as well as a Big List of Children’s Poets That’s a great place to start!

3. Once you have a feel for how rhyming picture books work, I always suggest taking a “how to write a picture book” class — and the one that I most recommend is Susanna Hill’s Making Picture Book Magic. I think comprehensive feedback on your work is essential, and I have made it an integral part of my own course. It’s especially important when you’re just starting out, and Susanna’s class is the only one that I’ve personally taken that offers helpful, in-depth feedback every step of the way. I also suggest that people take this kind of class before taking my course because the former is a how-to on the big-picture concepts of writing picture books (story arc, plot, character development, etc.), whereas my course focuses on the language itself. Another great resource is Ann Whitford Paul’s classic how-to, “Writing Picture Books.”

Dani: What’s the biggest mistake that rhyming picture book writers make?

Renee: Writing rhyming picture books is notoriously difficult to do well and can bring even experienced writers to their knees. I’d say there are three major areas that often present problems in rhyming texts:

1. The rhyme dictates the story. The story and characters are suffocated by the constraints of verse and have no breathing room to develop organically. The result is a weak story that wouldn’t hold up if written in prose.
   

2. Inexpert meter. The rhythm is uneven, inconsistent, and choppy so that the reader stumbles, or it is so sing-songy that the reader gets bored. Worse, stresses are forced onto the wrong syllables just to “get the meter to work.”
   
3. Tired and forced rhymes. The rhymes are uninspired and cliché and/or exist just to make a rhyme and add nothing to the story and/or don’t make sense.

So what is a writer to do? We can make sure our rhyming manuscripts are exceptional. That means studying the genre, reading successful rhyming texts, taking classes to learn the craft inside out, seeking expert feedback on our work, revising over and over, and even asking ourselves honestly if the story would indeed be better served by being written in prose.

Dani: What’s your favorite way to relax?

Renee: Making things! It doesn’t really matter what it is, as long as I’m creating something. I dabble in lots of things—sculpting with Sculpey clay, designing and sewing costumes, building or refinishing furniture, stenciling my walls, baking, or even creating graphics in Photoshop or editing videos—all of these activities produce something and require some level of creativity.