This week is a very busy week for me. You may have noticed that I did not do a book blog last week and I wont be able to do one this week either!
Smart Dummies Schedule Week 5
Sunday – Smart Dummies Week 5 Schedule
Monday – Quick Notes
Wednesday – Share Day! (Send me your work and I’ll post it on my blog!)
Thursday – Getting Ready for Finals
Sunday – Smart Dummies Week 6 Schedule
If you have not signed up for Smart Dummies yet go here: http://ngi.c96.myftpupload.com/register-for-smart-dummies-2019/ You can sign up, pick up the booklet and badge and find out everything you need to know about the event!
I find that starting a story isn’t really that hard. Maybe the sitting down and writing or drawing it is hard, but the actual coming up with an idea isn’t that hard. Okay, if we are talking about coming up with a good idea that’s hard. Coming up with a gem that can be taken from idea to finished product? That’s really hard.
It’s really not the idea’s fault, because any idea can be good or bad. I’m not putting all the fault on the writer or illustrator, because there are so many obstacles that get into the way of writing and illustrating. Some of these things we can change, and some not. I’m here as a cheerleader for you to do your best when you can.
Don't Worry About Winning
If you are not able to finish Smart Dummies in these two months, you are not a failure. Smart Dummies was never about the winning. The idea behind it is to encourage you to work faster, make some good daily habits and get a good start on your project. Your project is something you can continue working on in the future.
Don't Stop Drawing
Maybe you only get your character drawings done next month. Maybe you don’t get them finished until Christmas. You might only get ideas of what your character (or characters) look like and that’s okay. It’s still progress. If you start over you wont lose what you’ve already learned. If you just do one spread a month you’ll get your dummy done in about 12-16 months. Maybe you do one page a month, but that’s still a finished book in about 2-3 years. That’s more dummies finished than when you started!
Don't Get Mad At Yourself
There are times when I feel like a complete failure in life. I set out a goal to finish my work in a certain period of time and don’t come anywhere near to achieving my goals. The worst thing I do to myself is to punish myself for not achieving everything I wanted. I end up upset for days or weeks and those are days/weeks I can not work. Celebrate every milestone and always forgive yourself for making mistakes. Forgive yourself anytime you aren’t working. Some things will take priority to writing and illustrating! It’s okay to miss out on working. It’s also okay to get angry sometimes, but be sure to forgive yourself and move on.
Don't Give Up!
I can not tell you that you are going to be published. I can’t tell you that any of your publishing dreams will come true. I can tell you that there is no chance of you getting published if you don’t try.
No one should EVER tell you that you should give up. If someone tells you to give up the problem lies with them and not you. It’s possible that your work isn’t ready yet. That does NOT give them the right to tell you to stop.
Keep working and give yourself as much love as you can muster. This is a rough road we are on. I have a lot of friends who have been on the road 10 years or more who are just now getting published. It is possible. I’m going to give you a list of podcasts below that have helped me through some tough times. You should be able to find these wherever you get your podcasts!
Podcasts
Some of these podcasts may have content not suitable for children. Please let me know if there are trigger warnings that should be included because I can’t remember anything specific, but will not say that all of these podcasts are trigger free.
How done is done? This is a question that I’ve been asking myself a lot. I’ve seen a lot of dummies and some are very loose drawings and some are fairly tight. How tight a drawing needs to be is up to the editor that takes on your work.
I’ve mostly been erring on the side of polished, but I’ve seen a lot of dummies and some don’t polish their work. You want an editor/art director to be able to visualize your work. There also has to be lots of room for changes. If your drawings are too tight (or perfect) an art director might feel like the artist is done and might not be open to changes.
Depending on your story you’ll want to submit 24+ pages of sketches and 1-2 spreads (2-4 pages) of finished illustrations. Here is some idea of some picture book length stories. of https://marlalesage.com/2019/08/12/picture-books-length-layout/Chapter books and board books are similar to picture books in the submission process.
Graphic novels are a bit different. Depending on the type of graphic novel you are submitting you may be publishing through someone who does picture books, or an agent or editor like First Second that just does graphic novels. If you are submitting through someone who does picture books your submission package will likely be similar to a picture book package. Graphic novels and comics are usually different and based on the pitch and previous work. Here is the submission guidelines from First Second: https://firstsecondbooks.com/uncategorized/the-submission-process-what-to-submit/ The guidelines here is generally more of what I’ve seen for graphic novels and comics (both children and adults).
Be sure to check out some submission guidelines before you start your work!
I recently did a poll to see how done illustrators were with their work on their first book contract. I didn’t get enough people voting, but thought the results were pretty representational of the hundreds of book dummies I’ve seen. I had 6 votes and 83% (5 people) said their work fell under the “Nice but not perfect” category and the other 17% (1 person) said their work was very sketchy. See the poll here: https://twitter.com/DaniDuck/status/1174753326417600513
I’m not sure if they voted but one person said they had color samples and a complete manuscript, but no dummy. One said an art director just found them. One said their images were very loose.
I’ve seen a wide range of stories and dummies and generally they range from nice to sketchy. I recently saw a very sketchy dummy from a book that’s being published soon. To see a good range of book dummies use “book dummy” (not book dummies) in an internet search. You’ll see some great visual references so you can see the range of “doneness” for yourself.
I recently attended a webinar with an Art Director who didn’t seem to believe in dummies. She works for many companies and was okay with sketchy work for first time illustrators!
I say go with your gut. Worrying too much about the actual sketches may cause more problems than it’s worth. Go with the guidelines of any agent/editor to a “T” but if there are no specifics, then do your best. The final images will help an agent or editor interpret your drawings as long as your drawings are fairly representational of the story you are telling.
We are already in week 4 of Smart Dummies! This week I’ll be asking you to tell me which areas you are having trouble with. You can tell me below or go to the Smart Dummies Group: https://www.facebook.com/groups/548159692008535/
I found this beautiful book by searching my library for new books! There are so many GREAT books coming out right now. The books I want to review are piling up! If you’d like me to review your book please send a request via my contact page: http://ngi.c96.myftpupload.com/contact/
Story
“Another” by Christian Robinson is a story about a child and their cat who both visit another dimension. In the beginning the child’s cat sees a portal open and a black cat (that looks just like the child’s cat) come through the portal. The cat and the child follow the cat into the portal and explore this strange new world.
The story of “Another” is completely wordless. Absolutely everything is told in pictures. It’s very imaginative and fun. There is no explanation as to how things happened. It just happened and it’s fun!
Art
The artwork for another is as bright and imaginative as the book. “The illustrations for this book were rendered in paint and collage, with digital editing.” I’ve seen a lot of collage/paint collage being used, but Christian’s strong paint style separates it from other pieces.
The strange thing is this book has almost no backgrounds. When the child steps into the portal the background becomes a stark white. I feel like this exaggerates the strangeness of this whole world.
This book is a lot of fun and a great book to “read” over and over again.
Before you go into perspective or loose drawings make sure that you can visualize your pictures. If possible fix your problems in your thumbnails, because that’s when it’s easiest to make changes. Here are a couple of links for some great design principals.
Perspective is one of the necessary evils of drawing, but it’s not too hard to learn. The most important ones to learn is 1 and 2 point perspective. 3 point perspective is also fun, but most useful if you are drawing the tops of buildings/from an overhead perspective. Three point perspective can also be used to draw an object floating/above the ground.
I learned perspective in high school. We may have gone over it briefly in university, but being out of practice for so long makes remembering the finder details difficult. I’ve recently had to do a refresher myself to reacquaint myself with perspective. Instead of explaining it myself I’m going to give you links for 3 great videos and some extra explanation for one point perspective!
One Point Perspective:https://www.studentartguide.com/articles/one-point-perspective-drawing
It helps me to work on a full-sized loose version of all my drawings before I start on my finals. Some people find it helpful to use a copier or their computer to increase the size of their thumbnails and draw on top of that.
Some people work best going straight into their full sized work after they finish their thumbnails. How you want to proceed is up to you. If you aren’t sure at all how to proceed, please ask!
The finals can be somewhat sketchy. There will be some final images to include with your dummy so an editor/agent/art director can better envision the final book.
I had started with a lot of good ideas for a Cinderella story here: http://ngi.c96.myftpupload.com/planning-out-your-pages/. While planning out the pages in thumbnails I realized two things. 1) I realized I messed up with the numbers. I had said there was 13 spreads and there were 14.5. (I’ve changed this on the original.) I realized after the second mistake 2) Doing a 14.5 spread changes everything. And I changed even more to bring it to 15 spreads. Below accurately shows the spreads:
Cinderella’s father remarries. (1/2 spread)
Cinderella’s step mother and sisters are mean to her. (1 spread)
The prince announces there will be a ball so he can find a wife. (1 spread)
Cinderella told she’s not allowed to go to the ball which upsets her. (1 spread)
Cinderella’s Fairy Godmother appears and gives her everything she needs for the ball (Cinderella must be back by midnight). (4 spreads)
Cinderella goes to the ball (2.5 spreads)
Cinderella forgets about the time and rushes out of the ball at the last minute leaving her glass slipper. (1.5 spreads)
The prince looks for Cinderella with the one lost slipper. (1 spread)
The slipper fits. (1 spread)
A royal wedding (1 spread)
The prince and Cinderella live happily ever after. (1/2 spread)
Start your thumbnails out messy. You are just trying to get the basic layout of your story first. Then, start over and make slightly tighter thumbnails, so you can tell better what the images are. This video shows you both tight and loose drawings.
Research
Now that you have an idea of what your pages are going to look like, take some time to do research. Take pictures, pose your children or pose yourself. (Don’t take pictures of children without written permission from their parents).
You can also do an internet search to find reference photos. Photographers are very serious about their photos and will sue if you steal an image directly or have an image too simular to theirs. Use several different images to come up with your illustration. You might take a nose style from a few pictures. Hair styles from another. You can piece together a person from many photos, but drawing all or part of someone else’s photograph/illustration is not a good idea.
Those who joined me for Pre-Smart Dummies, but I decided to go over this step just in case you’ve not done this yet!
1) Choose Your Story
If you have written a story then you can choose one of your own. If you’ve written several stories, but this is your first time creating a dummy try to pick something that has simple characters or backgrounds you like drawing. Let’s make this first dummy fun!
If you have not written a story, or if you don’t have anything edited DON’T PANIC! Use a story in the public domain. Most fairy tales are public domain. Here is a bunch of great books to choose from. I like the Andrew Lang Fairy Books: http://www.gutenberg.org/ebooks/
I chose Cinderella as my story. I went over my process for choosing the best parts of the story to include in my version. https://www.daniduck.com/a-new-cinderella-story/I decided afterward that the story I wanted to do was going to be too much work for everything on my plate so I will be going with another story. I want to finish this story, so I’m choosing the easiest one for me.
2) Edit Your Story
Before you start on your story you should have it edited. Here is a lot of information for editing your story. If you are rewriting a fairy tale be sure to have at least all the basics planned out like in the second link for “Choose Your Story”. Here are some quick tips for editing along with some wonderful editing resources: http://ngi.c96.myftpupload.com/editing-your-story/
3) Plan Your Story
You’ll want to plan out which images are going on which pages, and how long your story is going to be. Marla Lesage shared a fantastic post with us for Smart Dummies about Picture Book Length. https://marlalesage.com/2019/08/12/picture-books-length-layout/Graphic novels start at picture book length and some can be several hundred pages. Research page lengths at your library or book store for the type of books you’d like to write!
Here is an example of how to plan out your pages: http://ngi.c96.myftpupload.com/planning-out-your-pages/* If you physically want to cut up your manuscript into pages, then do it. As long as it’s not your only manuscript copy! 😉
*Please note that Critique Groups are now closed, but you can ask for critique partners in the Smart Dummies Facebook group! https://www.facebook.com/groups/548159692008535/
Tomorrow I’ll be talking about Thumbnails. I may do a video. Wish me luck!
All sorts of things are happening this week! A bit of planning, research, thumbnails and perspective are all on the schedule. If you have time you can start working on your drawings.
Due to a problem with my website I’ve had to cut out the book review for this week! I’ve got a great book for next week. This is from pages 12-13 of your book
What you’ll need for this project:
Pencils and paper, a mirror.
Other helpful things: camera or internet search
I did a quick video for you today. This is all about emotions. I drew a bunch of circles before starting this video and then made faces into my phone. This can be done on a sheet of paper.
Try making some faces of your own. After you are done try applying them to your own characters. This video has been sped up. Unfortunately there is no sound.
If you haven’t signed up for Smart Dummies you can do so here: http://ngi.c96.myftpupload.com/register-for-smart-dummies-2019/
Poses
This part of the process is going to take a bit of research! First off take photos of someone who’ll pose for you, take pictures of yourself or look for poses on the internet. You can even get a video of people dancing and pause to draw beans from that! Look for poses you might use in your story. You might even find some poses you didn’t know you needed!
Practice drawing some beans of your own. Use the references you found and just practice drawing them in bean format. Fill up a sheet or two of beans. Once you do that then take your character and draw them in a few of those position not forgetting their facial expression for that pose.
Here are some of character drawing and emotions. The first one is of a character I did last year. He’s very cartoony and doesn’t have arms to express himself. It can be harder to express certain emotions with simple characters!
The second is a drawing I have yet to finish. It’s something I’ve just left too long so I would probably go back in and redraw if I wanted to use it for an illustration. Either way it’s good practice!