Before I show you some process posts I’m going to start with a poll I posted on social media. This was a question asked by Tara Santoro (@JerseyGirlDrawson twitter).
This is pretty reflective of the people I’ve spoken to. Most believe thumbnails are essential. There are a few that think they aren’t important.
Brian McLachlan (@McLachlanBrian on twitter) said as a response, “Once you’ve done enough layouts you don’t need to thumbnail everything.” Which makes sense!
There are some of you that hate thumbnails and think it’s silly to use them. I think not using them may be a harder path, but that path is up to you!
Initial thumbnails should take you no more than a few seconds on each one. It’s just to figure out proportion and where things go. More than a couple seconds makes it stressful. Too much detail in thumbnails can be stressful. Keep them simple, and if you want to do detailed thumbnails do that after!
Some Final Art Resources
Here are some resources you may want to look into before creating your final art! In fine art the idea is to make a beautiful piece that will last a long time. With kidlit your final art doesn’t necessarily have to last a long time (it does help, though). It does have to look good. Instead of giving you a bunch of resources for fine artists or illustrators, I’m going to show you some art projects that are mostly for kids that may inspire or inform your own art!
Want to find a process in your medium? Just go to Pinterest or YouTube and type in your art medium and then “projects”. You can add “for kids” if you want to find easier projects.
I have a fun inking video that I made today. I need to go back in and edit it a bit. 5 minutes of me having the save dialog open isn’t that much fun to watch. I will be adding sound and hopefully narrate this as well. Hopefully I can get this up for you soon! For now here are a few instructional Youtube channels that will help you with your art!
SVS Learn — Home of the 3-point perspective podcast (video version). This podcast tells you everything you need to know about Children’s illustration! Will Terry, Jake Parker and Lee white host. Their excellent Youtube channels are also below https://www.youtube.com/user/SVSLearn/videos
Have a Youtube channel you’d like to share? Please post the name in the comments below. I’ll be sure to share the channel in a future Smart Dummies post!
Here is some great art from Becky Aren’t! Becky does not have a website at this time, but wanted to share her work. If you want to get a hold of Becky for professional reason please feel free to contact me on my contact page and I will get you in touch with Becky! http://ngi.c96.myftpupload.com/contact/
Here is a special video from Rachel Armington. You can visit Rachel’s website here: https://rachelarmington.com/ Her Youtube channel has some great videos like organizing your portfolio for an illustrator showcase, creating promotional material and lots of great watercolor painting tips and techniques. Rachel’s Youtube channel is here: https://www.youtube.com/channel/UCQ7Eosyn2nYbNbkokKrmPcw
She just finished it and wanted everyone here to know how to make a clay model for illustration. This is especially helpful for complex characters. You could also make up sets and photograph your models rather than draw them (need to have a good camera and light set up)!
5 Things to Do for Final Art
1. Set up Your Substrate
I have adjusted my layout page. I use to work at a print shop and it was so much easier if there was a bigger bleed. This also more accurately reflects how I set up my digital images. I create my digital images 11″ x 17″ and am aware that half an inch will be trimmed from all sides of the final image.
If you are working traditionally you need to place an extra 1.5″ around the image. You will want your paper to be 14″x 20″. You can work on smaller paper if you need to practice before your final. This is where the printer will touch your image. When your digital image is printed it will have the same border, but it’s added after the art is finished.
2. Stepping Back
This is very important in the process of creating. Move a few feet back from your image an look at it. This helps for both digital and traditional artists. Another thing you can do is take a picture of the art. Seeing an image smaller can help with noticing any flaws.
3. Polish Your Image
I made a post about how done is done here: http://ngi.c96.myftpupload.com/how-done-is-done/ this relates to your sketches for your dummy. This does not have anything to do with your finals. You want your images as polished as possible before you take them into finals. You don’t want to both color an image and still be trying to figure out the positioning of an arm or the perfect smile for your character!
4. Work in a Familiar Medium
It’s not wrong to work in an unfamiliar medium. Just know that your finals are going to take longer without having practiced the medium. You are learning how your style works in the medium. This makes it more likely that you are going to be using more pieces of final paper (if working traditionally), so it’s better to practice on a smaller sheet!
5. When Things Don’t Work Out
Sometimes things don’t work out. Be nice to yourself. If you have to start over that’s okay. Even when big mistakes are made, set the work aside and come back to it later. It could be that the work can be saved, but not if you crumple it up and throw it away! Also possibly not if you continue to work on something that’s had a problem. Frustration can often lead to more mistakes.
Be nice to yourself and take a break if you aren’t having fun!
I find that starting a story isn’t really that hard. Maybe the sitting down and writing or drawing it is hard, but the actual coming up with an idea isn’t that hard. Okay, if we are talking about coming up with a good idea that’s hard. Coming up with a gem that can be taken from idea to finished product? That’s really hard.
It’s really not the idea’s fault, because any idea can be good or bad. I’m not putting all the fault on the writer or illustrator, because there are so many obstacles that get into the way of writing and illustrating. Some of these things we can change, and some not. I’m here as a cheerleader for you to do your best when you can.
Don't Worry About Winning
If you are not able to finish Smart Dummies in these two months, you are not a failure. Smart Dummies was never about the winning. The idea behind it is to encourage you to work faster, make some good daily habits and get a good start on your project. Your project is something you can continue working on in the future.
Don't Stop Drawing
Maybe you only get your character drawings done next month. Maybe you don’t get them finished until Christmas. You might only get ideas of what your character (or characters) look like and that’s okay. It’s still progress. If you start over you wont lose what you’ve already learned. If you just do one spread a month you’ll get your dummy done in about 12-16 months. Maybe you do one page a month, but that’s still a finished book in about 2-3 years. That’s more dummies finished than when you started!
Don't Get Mad At Yourself
There are times when I feel like a complete failure in life. I set out a goal to finish my work in a certain period of time and don’t come anywhere near to achieving my goals. The worst thing I do to myself is to punish myself for not achieving everything I wanted. I end up upset for days or weeks and those are days/weeks I can not work. Celebrate every milestone and always forgive yourself for making mistakes. Forgive yourself anytime you aren’t working. Some things will take priority to writing and illustrating! It’s okay to miss out on working. It’s also okay to get angry sometimes, but be sure to forgive yourself and move on.
Don't Give Up!
I can not tell you that you are going to be published. I can’t tell you that any of your publishing dreams will come true. I can tell you that there is no chance of you getting published if you don’t try.
No one should EVER tell you that you should give up. If someone tells you to give up the problem lies with them and not you. It’s possible that your work isn’t ready yet. That does NOT give them the right to tell you to stop.
Keep working and give yourself as much love as you can muster. This is a rough road we are on. I have a lot of friends who have been on the road 10 years or more who are just now getting published. It is possible. I’m going to give you a list of podcasts below that have helped me through some tough times. You should be able to find these wherever you get your podcasts!
Podcasts
Some of these podcasts may have content not suitable for children. Please let me know if there are trigger warnings that should be included because I can’t remember anything specific, but will not say that all of these podcasts are trigger free.
Those who joined me for Pre-Smart Dummies, but I decided to go over this step just in case you’ve not done this yet!
1) Choose Your Story
If you have written a story then you can choose one of your own. If you’ve written several stories, but this is your first time creating a dummy try to pick something that has simple characters or backgrounds you like drawing. Let’s make this first dummy fun!
If you have not written a story, or if you don’t have anything edited DON’T PANIC! Use a story in the public domain. Most fairy tales are public domain. Here is a bunch of great books to choose from. I like the Andrew Lang Fairy Books: http://www.gutenberg.org/ebooks/
I chose Cinderella as my story. I went over my process for choosing the best parts of the story to include in my version. https://www.daniduck.com/a-new-cinderella-story/I decided afterward that the story I wanted to do was going to be too much work for everything on my plate so I will be going with another story. I want to finish this story, so I’m choosing the easiest one for me.
2) Edit Your Story
Before you start on your story you should have it edited. Here is a lot of information for editing your story. If you are rewriting a fairy tale be sure to have at least all the basics planned out like in the second link for “Choose Your Story”. Here are some quick tips for editing along with some wonderful editing resources: http://ngi.c96.myftpupload.com/editing-your-story/
3) Plan Your Story
You’ll want to plan out which images are going on which pages, and how long your story is going to be. Marla Lesage shared a fantastic post with us for Smart Dummies about Picture Book Length. https://marlalesage.com/2019/08/12/picture-books-length-layout/Graphic novels start at picture book length and some can be several hundred pages. Research page lengths at your library or book store for the type of books you’d like to write!
Here is an example of how to plan out your pages: http://ngi.c96.myftpupload.com/planning-out-your-pages/* If you physically want to cut up your manuscript into pages, then do it. As long as it’s not your only manuscript copy! 😉
*Please note that Critique Groups are now closed, but you can ask for critique partners in the Smart Dummies Facebook group! https://www.facebook.com/groups/548159692008535/
Tomorrow I’ll be talking about Thumbnails. I may do a video. Wish me luck!
Due to a problem with my website I’ve had to cut out the book review for this week! I’ve got a great book for next week. This is from pages 12-13 of your book
What you’ll need for this project:
Pencils and paper, a mirror.
Other helpful things: camera or internet search
I did a quick video for you today. This is all about emotions. I drew a bunch of circles before starting this video and then made faces into my phone. This can be done on a sheet of paper.
Try making some faces of your own. After you are done try applying them to your own characters. This video has been sped up. Unfortunately there is no sound.
If you haven’t signed up for Smart Dummies you can do so here: http://ngi.c96.myftpupload.com/register-for-smart-dummies-2019/
Poses
This part of the process is going to take a bit of research! First off take photos of someone who’ll pose for you, take pictures of yourself or look for poses on the internet. You can even get a video of people dancing and pause to draw beans from that! Look for poses you might use in your story. You might even find some poses you didn’t know you needed!
Practice drawing some beans of your own. Use the references you found and just practice drawing them in bean format. Fill up a sheet or two of beans. Once you do that then take your character and draw them in a few of those position not forgetting their facial expression for that pose.
Here are some of character drawing and emotions. The first one is of a character I did last year. He’s very cartoony and doesn’t have arms to express himself. It can be harder to express certain emotions with simple characters!
The second is a drawing I have yet to finish. It’s something I’ve just left too long so I would probably go back in and redraw if I wanted to use it for an illustration. Either way it’s good practice!
A character turnaround is a way to get to know your character from all angles. This is the information you’ll need to draw your character the same way every time! Even though you make these your character may evolve while you are creating your book and that’s okay, too!
Things you might need: Paper, Pencil and likely a ruler. Tracing paper or a light box is optional. Possibly a right angle ruler.
Or a digital photo/illustration program. Must be able to work in transparent layers and have guidelines (which is most digital programs).
In your booklet on pages 10 -11 you’ll see some lined paper. I find this as the easiest way for me to plot out my character. Especially the easiest way to execute the Turnaround. The top is a full character turnaround and the bottom is a face.
When I’m doing character drawings I generally make the face large and the I like making eyes be big enough to fit on a line. It makes it easiest for me to figure out where everything should be. It’s really nice to be able to know which line the eyes, mouth and nose should rest. It’s really easy to get the character’s side, 3/4th or front view off because visually it will look okay, but if you use a ruler things will be way off.
There are some artists who prefer to use graph paper, and that’s not wrong! It’s just not the way I do it. I find the vertical lines throw me off, but they are great for making sure the width of everything is the same throughout the drawing.
I started out with a lot of scribbles and a little bit of an idea of what I was going to create for my portfolio. It was going to be a comic style illustration. I had basic ideas for character design before I worked on some thumbnails. Most of the story I worked on in the left hand side will likely never be in an illustration. Sometimes it helps to work on what happens before a scene, even if that work isn’t seen by other people.
These are the characters I started with. Just a kitty and a girl. I liked the kitty, but the girl I didn’t really like. She felt too old for the story I wanted to write. She also was quite plain. I added some ears later to make her a bear character. I had a friend who asked if she was a giant mouse. She wasn’t, but I thought it was more fun for her to be a giant mouse taking care of a kitten, So things were changed!
Tracing Paper
One thing I adore about using Clip Studio Paint (and all other digital programs) is the ability to to make a layer more transparent. This allows you to draw your character with a light table effect. You can make sure that your character is similar from all angles! Her eyes nose and mouth all line up and the width of the character stays the same throughout.
If you are working traditionally I highly suggest a light table or tracing paper to create your images. This will allow you to make sure your character looks alike in all their poses.
Guidelines Digital and Traditional
Digital: If your digital program has a ruler, then it probably has the ability to make guidelines. Just right click on the ruler, while you are holding the right button drag the line to where you want it, and then let go of the button. You can change where the line is with an arrow button This can vary from program to program.
I started this drawing with putting lines around the feet head and hands. I can also check the hem of her pants and all the facial features with the guidelines. They can get to be too much while drawing, so there is always a place in your program to turn these off.
Traditional: If you are drawing a character traditionally you almost have to draw in all the lines. I said before that I minimize this by using lined paper. This helps a lot, but there is likely something else that I can’t quite line up that way. If you have a right angle ruler you can put a ruler vertically along the right or left edge of the paper (preferably the red line on lined paper) and draw a horizontal line across the paper.
Alternatively you can use a ruler to measure out where each new line goes. This takes a lot of dots and line drawing. It’s frustrating and I hate it, but use it often.
The third option is to just eyeball the whole thing on lined or graph paper. This option is great for all us stubborn people out there. It’s maybe not the best option, but it’s still an option.
The Best Laid Plans
Sometimes even the best laid plans go awry! Neither character here is what I expected them to be, but it’s closer to my final drawing than any of the previous drafts. I’ve made my cat’s head much more rounded and the girl’s features are much more animal like. Even though I worked on these characters several times the characters kept changing in the drawings. I had just finished working on a cat story and the characters in the dummy were exactly like the characters I designed for the dummy.
Ideally, you’ll come up with a character design that you’ll just use in your drawings. Ideally, your whole story wont change while you are working on it. I do hope things wont change for you, but if they do accept the changes and have fun with your art!
If there is anything you need explained further let me know! I could possibly do a video if there are people who would like to see it!
Here are some ideas for your character’s bodies! I took one head and tried it on several different bodies. Copying and pasting a head over and over helps with coming up with a body. If I had to pick one, I’d probably go with the one in the upper right corner.
Don’t worry if none of these appeal to you. I’ve got some links with some wonderful tutorials that will help you further your art!
Proko has some great tutorials for the bean method of drawing. If you can draw a bean (or something like it) then you can draw a body! https://www.youtube.com/watch?v=0660Fuih7qo
Are you ready for character design? Just grab some paper and a pencil (or have your computer program on standby and let’s get sketching! The video shows how I might do a page to figure out a character. There is lots of different techniques.